Monday 10 November 2014

A MATTER OF TEXTS AND TESTS

                       A  MATTER OF TEXTS AND TESTS
English is  a  funny language that does not follow any logic when it comes to pronunciation and spelling yet it is one language that has truly conquered the world. However much we denigrate the British for suppressing us and ruling over us for 200 years, this legacy that they left behind has given us a firm foothold in our foray  into world affairs. As  national boundaries  become obscure and ever widening thought and action take us into a global village, it is imperative for our ‘generationext’ to imbibe the nuances and intricacies of this world  language that unites  us. The thrust on English education has spread from the boundaries of schools to colleges and universities. Many professional institutes have included English for communication in the curriculum. So let us delve deep into this matter and analyze the merits and drawbacks of English language learning in our system.
                         No doubt,  the CBSE syllabus which  is graded and age appropriate is  the end product of much painstaking effort and revision  The lessons included in the literature reader of classes VIII, IX and X relate to the lives of our children and have much relevance and significance for them. The activities are also eminently  suitable. But when it comes to Classes XI and XII the same insight into the psyche of the growing child seems to be lacking in the selection of prose and poetry . The textbooks Hornbill and Snapshots of Class XI and Flamingo of Class XII have only a few lessons which may appeal to the imagination of teenagers. Fortunately a few uninspiring lessons such as The Landscape of the Soul, The Adventure, Silk Road, The Ghat of the Only World and Poets and Pancakes were deleted last year. While teaching these lessons I used to wonder whether they were picked and chosen to bore the learner. The old world philosophy that pedagogy is meant  to  instruct and not please the learner has  lost its relevance in the present world.  The aim of teaching literature should be to acquaint the students with the gems of literature, to bring them in contact with the masters who knew how to use the best words in the best order. Literature can humanize you, so the lessons should convey a message powerful enough to inspire students and contain words and language which may prompt them to read further and to experiment with language.
We have numerous poets and authors who are considered to be shining examples and geniuses of literature .For any recitation competition, our students hunt for  poems written by the  masters. When there is no dearth of marvellous poems written by famous poets, why do we prescribe insipid poems such as Childhood and The Voice of the Rain for Class XI students, as if they are the best samples of English literature ?. Instead of a small excerpt from Keats’s Endymion, why not include one of the odes? Should we not initiate  our students to the intricacies of language as in  Browning’s ‘ My Last Duchess’ or Tennyson’s  ‘Ulysses’? When their counterparts in ISC are learning original Shakespeare, Wordsworth, Shelley and Keats, shouldn’t we introduce a few specimens of classical English prose and poetry to our students in CBSE?
We could find a much better selection in the textbooks prescribed by CBSE many years back, namely, The Web of my Life and Guided Reading. The poignancy of the story of The Foghorn , the humour  in  The Judgement of Paris and the shock and heart break of Hiroshima appealed to the imagination of  young minds. But lessons  like Going Places or the Third Level ,can  only leave the students bewildered  and confused. Only in the supplementary Reader, ‘ Vistas’ could we find a few lessons  of a higher standard in keeping with the age of the learners.
Last year the CBSE introduced a long reading text in Class XII.  The choice of ‘The Hound of the Baskervilles’ was most laudable as the  story had all the ingredients which could immediately captivate the attention of young readers .Keeping in mind the stress and strain experienced by the students of Class XII who are plagued by various entrance tests  and coaching classes, we had  advised  the students of Class XI to buy the book during the vacation and read  thoroughly before classes begin for  the next session. Then like a bolt from the blue came the circular stating that the Long reading text has been changed. Instead of The Hound of the Baskervilles , we have to choose between The Invisible Man and Silas Marner. If the aim behind the introduction of  long reading text was to inculcate reading habit in children, ‘The Hound of the Baskervilles ‘was the best choice. But the decision to replace  such a gripping tale by  uninspiring ones after just one year smacks of a hasty decision taken  without much thought. Sufficient   time should have been given for the students and the teachers to air their views and   the decision to change the text book could have come after a couple of years.
The writing skills are the most appropriate and useful part of the CBSE syllabus. Mastery of writing items such as letters, speech, debate, notice, advertisement, report and the like would surely give the students the much needed practice and preparation for their future life. But with all other aspects of the syllabus such as ASL, PSA , the long reading text, the main and the supplementary readers, only limited time can be spared for the practice of these items in class. The decision to introduce ASL in Class XI and IX was a wise one, even though the exercise is time consuming. But PSA is a cause for anxiety for parents and students. It would be advisable to base the questions  in  Language Conventions on the exercises taught and done in  these class .Some kind of coaching should be given for PSA in order to alleviate the anxiety of parents and children. Open text Book Assessment is also a laudable step but it prolongs the exam by another half an hour. This has given rise to much criticism and resentment  as  young children  are made to sit and write for nearly four hours at a stretch  resulting in  much  physical discomfort and mental  fatigue. Why not delete comprehension passage and include OTBA? Limiting the question paper to 3 hours would certainly reduce the burden of our students.
Let me be pardoned for digression when I state that one aspect of the ICSE-ISC syllabus has appealed to me much. Needless to say ISC English is tough- original Shakespeare and the classics in poetry and prose are taught at the High school and Higher secondary levels. But the syllabus is stretched over a period of 2 years  and there are plenty of choices in the question paper so that not much strain is felt by the teacher or the learner.
Another matter of grave concern for the teacher of English is that the short forms used in SMS and e mails have crept into the literary language. No one can deny that short forms are necessary to express matters in limited space. But the same short forms tend to creep into the note books and exam papers since the younger generation is adept at taking such liberties with language. Besides many of them feel that it is prudish to insist upon writing ‘ you’ and ‘ between’ when u and b/w can do the trick .As evolution takes place over the years we can expect many such changes in the world language . Recently I read that the comma which has become obsolete in its use may disappear from the language. The humble apostrophe was culled from street signs in Britain much to the chagrin of the Apostrophe Protection Society  there.  The age is not far when we may do away with capital letters and punctuations altogether. Perhaps many languages will merge to evolve a world language which may be easy to use and learn and may appeal to all nations and all people. Let us forge ahead into that heaven of unity and liberty, of one world and one language.

Submitted by
Shailaja Chandran, Vice Principal, St. Thomas Cent

Saturday 1 November 2014

REBECCA

                   REBECCA BY DAPHNE DU MAURIER-  A REVIEW

Rebecca, the classical novel written by Daphne du Maurier has been hailed as a brilliant novel of an unforgettable wife. Written before the second world war, Rebecca  has been in the best seller list  ever since it was published in September 1938 by Doubleday and Company Inc. The simple cover page depicting a red carpeted staircase and two characters does not give us an inkling of  the world of paranoia that opens up before us as we turn the pages.
     The Rebecca of the title is dead, presumably killed in a sailing accident . Her millionaire husband, Maxmillian de Winter , the debonair, courteous gentleman  with perfect manners makes a deep impression upon the naïve young girl who is the narrator of the tale. Everything is seen and reported from the point of view of  this girl, the diffident, nervous and unusually sensitive second wife of Maxim, whose name is not revealed till the end, much to the chagrin of the reader.
    After a hasty marriage, the de Winters return to Maxim’s country estate, Manderley. ‘We came to Manderley in early May’, says the narrator, ‘arriving ,so Maxim said, with the first swallows and  the bluebells’. The powerful language of Daphne de Maurier gives us an entrancing description of the wonders of the picturesque countryside villa with the valley of azaleas and the blood red rhododendrons in full bloom. Manderley is described as  a thing of grace and beauty, exquisite and faultless, built in its hollow of smooth grassland and mossy lawns, with its terraces sloping to the garden and the garden to the sea. Manderley is  flanked by a wall of blood red rhododendrons which  startles the narrator by their crimson faces, massed one upon the other in incredible profusion, showing no leaf, no twig, nothing but the slaughterous red, luscious and fantastic.
       The fabulous country and the palatial mansion leads  the young bride  to believe that she has married above her station. She is unnerved by the belief that she is no match to Maxim’s first wife, the seemingly perfect former mistress of the house. The spirit of the capricious, vivacious Rebecca seems to haunt the house. Soon we are plunged into the mystery of the mansion, ridden by intrigue. A gallery of characters opens before our eyes, the most prominent of them being Mrs. Danvers, the governess, tall and gaunt, dressed in deep black, with prominent cheek bones and  hollow eyes which gives her parchment white face, the look of a skull.  She keeps the house and the staff under her thumb with meticulous care. There is instant hostility between the governess and the new Mrs. De Winter. Gradually, through the frightful eyes of the narrator, who explores and unravels the mystery of Manderley, we come to know of Rebecca as she really was. We realize with horror the power she holds over Manderley even in death. As the diffident, shy second wife explores the new house and the surroundings, we discover, along with her, a tale of deceit, disloyalty, adultery and murder.
    Rebecca is not the tale of the eponymous first wife, it is the tale of Maxim’s second wife who gains courage and grace and rises in esteem and stature  before our eyes . It is the story of Manderley. It is an unforgettable experience set in a mysterious . palatial mansion which ultimately goes up in flames .
     Daphne de Maurier enchants us with the power of her language and holds us spell bound from the beginning to the end. Rebecca is a revelation, it is a shattering experience , it is a magical spell that binds us in mystery and suspense from the very first word. It is a must read for every book lover. Don’t miss it.